"An absolutely riveting story as only William Hazelgrove can write."
Janet Parshall The Janet Parshall Show Moody Radio

AS FEATURED ON JANET PARSHALL SHOW ON MOODY RADIO Propelled by idealism and determination, Jay and Lauren set out to cycle around the world. Believing in the essential goodness of humanity, the couple find kindness and hospitality while slogging through desert sand in Namibia, fleeing an enraged elephant in Botswana, and enduring freezing rain in Spain. William Elliott Hazelgrove's gripping account, reminiscent of Jon Krakauer's Into the Wild, chronicles Jay and Lauren's epic journey toward an encounter with terrorists who decide that slaughtering these youthful seekers will serve ISIS's cause.” ―Doug Kari, author of The Berman Murders

PUBLISHERS WEEKLY REVIEW OF EVIL ON THE ROOF OF THE WORLD
Novelist and historian Hazelgrove (Hemingway's Attic) recounts the fate of American cyclists Lauren Geoghegan and Jay Austin, who were slain by terrorists in Tajikistan in 2018, in this chilling true crime tale. Drawing from the couple's blog and interviews with their friends and family, Hazelgrove portrays Jay as a charismatic idealist who convinced Lauren to give up her job to follow him on a four-year bike trip around the globe, beginning in South Africa and ending in South America. In Africa, they faced charging elephants, flies, and malaria; in Europe, they dealt with suspicious officials and a few gnarly crashes. Still, they pushed forward for two years, winding up in Central Asia's Pamir Mountains (nicknamed the "Roof of the World"). In Tajikistan, a group of young men radicalized by ISIS stalked and ambushed the couple after encountering them on a highway; four were then killed by local police, while the ringleader died in an American prison. Hazelgrove's prose is utilitarian ("Jay and Lauren ride on into Botswana, which proves to be flat, arid, wild, and hot"), letting the facts of the case carry the narrative forward. For the most part, the approach pays off, lending the account an unsettling air. Readers will be aghast.



PUBLISHERS WEEKLY REVIEW OF DEAD AIR THE NIGHT ORSON WELLES TERRIFIED AMERICA 8/8/24
RELEASE OCT 30 2024
In this fine-grained account, historian Hazelgrove (Writing Gatsby) chronicles the mass hysteria that accompanied Orson Welles’s infamous 1938 radio adaptation of H.G. Wells’s The War of the Worlds. Hazelgrove presents Welles as an actor of immense ambition and preternatural talent, noting that by age 22, he had put on headline-grabbing plays (the government shut down his 1937 production of The Cradle Will Rock, fearing its pro-labor themes would be incendiary) and traveled around New York City in a faux ambulance to move more quickly between his numerous radio and theatrical commitments. The author recounts the rushed scriptwriting process for War of the Worlds and offers a play-by-play of the broadcast, but he lavishes the most attention on the havoc Welles wreaked. Contemporaneous news accounts reported college students fighting to telephone their parents, diners rushing out of restaurants without paying their bills, families fleeing to nearby mountains to escape the aliens’ poisonous gas, and even one woman’s attempted suicide. Hazelgrove largely brushes aside contemporary scholarship questioning whether the hysteria’s scope matched the sensational news reports, but he persuasively shows how the incident reignited elitist fears that “Americans were essentially gullible morons” and earned Welles the national recognition he’d yearned for. It’s a rollicking portrait of a director on the cusp of greatness. (Nov.)






WGN CHICAGO INTERVIEW ON WRITING GATSBY https://wgnradio.com/after-hours-with...

WRITING GATSBY THE REAL STORY BEHIND THE WRITING OF THE GREATEST AMERICAN NOVEL
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https://www.youtube.com/watch?v=nIewK...



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