Myriads of negatives tell of the world, speaking among themselves, constituting a vast conversation, filling a photosphere that is located nowhere. But one single photo is enough to express the real that all photographers aspire one day to capture, without ever quite succeeding in doing so. Nevertheless, this real cohabits intimately with negatives, with clichés as embedded in our lives as they are imperceptible. Photographs are the thousand flat facets of an ungraspable identity that only shines - and sometimes very faintly - through something else. What more is there to a photo than a curious and prurient glance? And yet it is also a fascinating secret.

The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy and art, and introduces the reader to all of the key concepts of Laruelle's 'non-philosophy'.